Although Mirek is a young man built like a mountain, he already receives disability benefits. His illness manifests itself in occasional micro-sleeps and episodes resembling epilepsy. The tragicomic hero occasionally loses consciousness for a brief moment, even in public. He lives only through his dreams and fantasies, and his intimate life consists solely of frequent calls to an erotic hotline, which cost Mirek's mother a considerable amount of money. Through his voice on this hotline, Mirek meets a mysterious girl with whom he falls platonically in love...

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十五岁的拉达·泽曼（Lada Zeman）完全配得上他的绰号——“少校”（显然，这是为了向侦探系列剧《泽曼少校的30个案件》中的同名主人公致敬）。假期里，他和女友以及小友雅诺什（Janos）一起监视一名常来捷克斯洛伐克且热衷于信鸽饲养的奥地利商人。结果发现了钻石走私……

During World War II, dogs were trained in special centres for guard duty in concentration camps. However, one of the prisoners domesticates a female German Shepherd, which saves his life during his escape.

Antonín Kachlík wanted to make committed films about the moral dilemmas of the working class, but in the era of normalisation, he could only proclaim how faltering individuals would eventually come to the desired thinking. This is also true of the adaptation of Jiří Švejda's book about the wavering career of a young brickmaking technologist - the simplistic drawing of characters and plots, the posterishly lifeless language and the textbook discussion of social ills are all objectionable; the ideal becomes the code of the socialist builder.

In this Chinese version of the classic fairy tale, a mother leaves her three children home alone while she goes to visit their grandmother. When the children are visited by a wolf, pretending to be their Po Po, or granny, they let him in the house, but ultimately are not fooled by his deep voice and hairy face. Combining ancient Chinese panel art techniques with a contemporary palette of watercolors and pastels, this powerful story brings lessons about strangers, trust and courage to a new generation.

During the Chinese Revolution in 1949, young Chinese copra trader named Fong-Huan marries Elisa, a young and pretty Filipina. The couples children, Daniel and Linda, were raised in a mixture of Chinese and Filipino-Hispanic tradition. These richly cultured people are the ancestors of a dysfunctional third-generation family whose daughters tell their own stories of joy, struggle, and the complex realities in the life of Filipino Chinese families.